Balam No.06
Migra
TAMBOURINE
2020
España
Madrid
Lamas Burgariotti
2684-0405
192
In this issue:
Aaron Ricketts, Agostina Valle, Alessia Rollo, Alessio Maximilian Schroder, Alisa Aistova, Ana Vallejo, Andres Juarez Troncoso, Andrea Jarales, András Polgár, Andrés Jorgensen, Ariel Guisarri y Gisela Volá, Asadur Rahman, Benjamin Malvicino, Benjamin Pfau, Biniam Graffé, Carlo Rusca, Carol Espindola, Charles Park, Daniel Mebarek, Daniel Rampulla, Diana Puraite, Diego Moreno, Diego Nuñez, Dima Zharov, Domenico Camarda, Elea Jeanne Schmitter, Eliseo Tess, Eva Casanueva, Felix Marquez, Forest Kelley & Jorge Ureña, Foto Estudio Luisita, Gabriella Achadinha, Gloria Oyarzabal, Gregory Eddi Jones, Harshini Karunaratne, Helena Roig, Hernan Kacew, Ian Lewandowski, Ihar hancharuk, Isabella Melis, Jessica Marie Buie, Joel Jimenez, Jomar Canales Conde, Juan Brenner, Julia Albrecht, Julia Sbriller & Joaquin Wall, Julieta Pestarino, Justin Clifford Rhody, Katsu Naito, Karla Hiraldo Voleau, Kenny Lemes, Koral Carballo, Laura Born & Matthias Schneck, Luca Baioni, Luis Corzo, Macarena Malaga Porris, Manuel Parra, Mara Sánchez-Renero, Marquitos Sanabria, Maria Sturm, Mariana Papagni, Marisol Mendez, Massimiliano Gatti, Matias Maroevic, Max Pinckers & Quinten de Bruyn, Maximilian Koppernock, Melba Arellano, Mia Song, Milan Gies, Naguel Rivero, Nelson Morales, Nikolai Frerichs, Olga Tzimou, Orecchie D'Asino, Pablo Stettler, Paola Castelli, Paola Favoino, Paula Rae Gibson, Paz Errázuriz, Pilar Ordoqui, Quinceañera Archives by Samantha Cabrera Friend, Raquel Bravo Iglesias, Robin Alysha Clemens, Samuel Zakuto, Sandra Gramm, Sebastian Gherre, Sebastián Alejandro Gallo, Selina Mayer, Shaun Lucas, Shelli Weiler, Simon Lehner, Sofía Finkel, Stanislava Novgorodtseva, Sunil Gupta, Tenayah Bowmer, Teresa Eng, Thales Pessoa, Tim Stürze, Veteranas and Rucas by Guadalupe Rosales, Violeta Capasso, Yağız Yeşilkaya.
Balam is an independent contemporary photography magazine based in Buenos Aires, Argentina that shows images of emerging and established artists from Latin America and the rest of the world.
'Mestizx' calls us to meet a new mixture. Understanding ourselves as mixed beings, mestizo of blood, skin, of inspiration allows us to identify ourselves as mixed gender. We want to ask ourselves from the mix, in what way our genre is Mestizx. If we could break the order of the ethnic groups and mix, why can't we break the order of the genders and re-signify ourselves?
This edition seeks to promote the concept of Mestizx and all those who work with it. Raise the miscegenation from the genders and geographies, because we advance to be located in an intermediate point, to be able to be neither man nor woman, that not only the binary exists. Encourage us not to be normed, to choose what our mind and body travel through the path of self-acceptance and evolution.
