5€
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in the city today
always forever since forever
the present and the past take a forever waltz
– if only the future danced too
always forever since forever
only change lasts
A new, fresh and experimental editorial.
Gimme Five Publishing is an experimental publishing house with this statement: 5€. All the collaborating photographers are working with one unique restriction: budget. All publications cost 5€. No matter who, no matter what. We think that the budget limitation will boost the creativity of the authors, fostering new ideas in photography and the visual arts. We want to make it easy for those who make photography and those who consume it.
Out of stock
in the city today
always forever since forever
the present and the past take a forever waltz
– if only the future danced too
always forever since forever
only change lasts
Out of stock
El conjunto vacío es una teoría de la matemática moderna. Es aquel objeto o conjunto en donde no puede encontrarse presencia de elemento alguno, es decir, que no tiene elementos, por lo que se le considera vacío.
Así como se pueden producir conjuntos vacíos en matemáticas, también la ciudad puede interpretarse como un conjunto vacío.
También está vacía la ciudad y lo que la compone, aunque aparentemente esté repleta de elementos. Elementos vacíos que se cruzan con otros, que rompen planos. Y personas, también vacías, que conviven con todo ello en la ciudad.
The empty set (conjunto vacío) is a theory of modern mathematics. It is that object or set that contains no elements, therefore considered as empty.
Just as mathematics modelises empty sets, so can the city be interpreted as an empty set.
Although apparently full of elements, the city is empty and made of empty items, that intersect one with another, that break maps, along with people - empty sets too - cohabitating in this void.
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My father loved taking pictures. My mother reckons that he always carried his camera wherever he went, as he liked to portray the world his own way, with no pretense.
The only photobook in the family home is a technical handbook he gave me when I was twenty, when I decided to walk around with his camera and a couple of rolls of film, searching for something.
It’s now been two decades since then, my father is a memory, and in recent years I shot more than two rolls of film. A couple of years ago, on holidays, I looked back over the family albums to kill time, and that’s when I revisited my father’s gaze.
So I decided to merge his gaze with mine.Youth, daily stories, and travel shots appear there. Pictures from now and then. Life from now and then.
It’s the dance.
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Does freezing flowers really last their beauty?
The Flower Power project arises from the intent to extend a natural and ephemeral beauty.
Freezing as a way of prolonging the beauty of a flower is a little scam, because, although it retains its external beauty, the flower loses its smell, its essence, and thawing it out involves an almost immediate withering.
The project gains strength when the transformed flowers return to the street, as blocks of ice, and come out to interact with the everyday life in its natural space.
That false beauty retained in time, which are the frozen flowers, makes the observer stop to appreciate that ephemeral moment.
That's when, unexpectediy, it catches the attention of the police, who quickiy come to surround the block. Wondering what it would be, one policeman asks the other: “What is this?”
To which this other replies: “This is art... I guess”.
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China, 2019
Driven by feng-shui and its principle of seeking harmony and balance, I undertook an ancient Taoist pilgrimage route.
On the way from the 5 holy mountains to the 70th anniversary celebrations of the People´s Republic of China foundation, I collected and treasured small geometric glass lenses that I used to capture my journey.
As an observer, I stood in front of the wall of the complex relationship of the Chinese people with their physical and non-physical heritage. I started digging into the space of images, icons and symbols across a mass of collective repetition in search of new structures, in an unreal and dreamlike world.
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The definition of “species”, according to RAE, is “each of the groups into which the genus are divided and are made up of individuals; in addition to the generic characters, they have in common other characters by which they resemble each other and are distinguished from those of the other species”.
They are all inhabitants, are all equals, are all part of that territory and they mean it. Inhabitants that intimately live and look at the landscape. Animate or inanimate beings, living and lifeless, in stillness or movement.
This book is an extract of a larger photographic project based on the observation process of who has walked and travelled through a park in a constant searching process. Someone who observes, as if he was another inhabitant, the architecture, the breathtaking scale sculptures, a created nature with living beings that walk, fly or swim across it, with a growing vegetation in constant movement.
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Calle Serrano is the main street of what is considered one of the most prosperous neighborhoods in Madrid: Salamanca.
This famous street of the Salamanca district looks like a stage in which the frequent passers-by, such as actors, seem to adapt to the coldness of the place without ever perceiving it, while it is there as evidence exposed to the gaze of everyone
By exploring the rear end of Calle Serrano, and taking the point of view of the people who live and work in the area, The Crowd is a portrait of this latent sense of depersonalization and detachment.
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The series aims to be an emotional journey, beyond a simple description, of the hospital stay. This non-place of transition, totally impersonal, becomes a temporary, ephemeral and premonitory threshold (umbral) from which one may pass to other spaces, and even to other worlds. The subjective point of view of the author emphasizes the sensations experienced by a visitor, where loneliness, sadness, impermanence and estrangement are perceived.
“In my writing I am acting as a map maker, a psychic area explorer”. W.S. Burroughs
