‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman
‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR) - Chantal Akerman

‹Film Stills Vol. 04 – Saute ma ville, 1968›, Chantal Akerman (Selection by RVR)

Chantal Akerman

Selfpublished

Year

2020

Country

Spain

City

Oviedo

Publisher

Las Injurias

Printer

B/W Laser

Binding type

Sewn Bound

Paper Type

Bond 80gr

Number of pages

24

Paper weight

Bond 80gr

In 1968 Chantal Akerman inaugurates her oeuvre by blowing up her small kitchen. She later described her debut as “the mirror image of Jeanne Dielman”, in which a person who doesn’t need rules blows life’s rituals to bits. Notably absent is the mother, central motif in her oeuvre and at the heart of her last film, No Home Movie. (https://iffr.com/en/2020/films/saute-ma-ville)

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