About the collapse of the history of photography
There is a hypothetical scenario in which the flood of synthetic images of photographic resemblance will be of such abundance that at the time of processing the library, the artifical intelligences will hardly have access to the photographs due to their statistical scarcity in the complete distribution.
That will perhaps be the sinking of the History of Photography, which will be buried. It will be there, but we will not be able to see it. It will also be the independent birth of the History of synthetic images of photographic resemblance.
Cycle of conferences on AI organized by Fiebre y Ensambles under the curatorship of Gonzalo Golpe.
Biography: Buenos Aires, 1986. Visual artist, editor and teacher. Founder and director of SED editorial, RISA editorial and 0/0. His work investigates the relationship between photography and fiction with a specific interest in the discursive capacities that exist on the margins of the photographic apparatus and its structure. He has published the following books: A kind of loop by Riot Books, La forma bruta by the University of Cadiz, Vacant dream state by 280a, Para describir una flor by Raya Editorial, Ruinas sin título, Aguas vivas, Texto Nazi and Hermes/Unesco by SED editorial. He has had solo exhibitions at the 3rd Beijing Biennial of Photography in China; Centro Cultural Kirchner in Buenos Aires, Argentina; Galería Cero in Madrid, Spain and Galería Hydra in Mexico City; among others.
WEB MARTIN
WEB SEDEDITORIAL
@martinbollati / @sed.editorial
