Preserving Our Heritage: Libraries, Archives and Collections

There are now institutions that are focusing not only on photographic conservation, but specifically on preserving photobooks. What makes this material so particular? Which are the key libraries, archives and collections in Spain and beyond? In this episode we talk to several guardians of photobooks and open up their personal chests of treasures to share a few secrets…

Featuring: Javier Pérez Iglesias (Director of the Library of the Faculty of Fine Arts, Universidad Complutense de Madrid), Ane Abalde (Director of Art and Heritage at Fundación Kutxa) and Carmen Dalmau (lecturer, researcher and writer)

Photos & Books: Stories of a Scopic Drive

The first podcast on photobooks in Spain

Written and hosted by Nieves Limón and Marta Martín
Produced by Fiebre Photobook
Recorded at La República Independiente de la Radio
Actividad subvencionada por @culturagob
Funded by the European Union – NextGenerationEU

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Photobooks cited VISIT THE LIBRARY
Fahrenheit 451 Ray Bradbury
Arguably, Bradbury’s most well-known work, Fahrenheit 451 deals with themes of authoritarianism, censorship, and the powers and pitfalls of communication technology. Bradbury combined two early short stories, “The Pedestrian” and “Bright Phoenix,” into “The Fireman,” a novella published in the February 1951 issue of Galaxy Science Fiction. The expanded novella became Fahrenheit 451, which was […]
1953 Ballantine Books
Cultura LGTBI en las bibliotecas públicas españolas José-Antonio Gómez-Hernández y Javier Pérez-Iglesias
This study examines the current state of LGBTI collections in public libraries, given their inclusion and mandate in recent equality laws in Spanish regions such as Galicia, Catalonia, Extremadura, Madrid, the Region of Murcia, and the Balearic Islands. After reflecting on the visibility of LGBTQ+ authors, publishers, and themes, the study concludes that these collections […]
2017 Anuario ThinkEPI v.11
Elogio de la mirada. En torno a la fotografía Carmen Dalmau
“Elogio de la mirada” is a reclamation of the gaze against the notion of photography as a certificate of reality, an archive of memory, an eternal present, writing with light, or a mere mechanical technique. As truth, as object. It positions photography as a continuation of painting within the flow of art history, praising the […]
2022 Ediciónes Clavoardiendo
Las mujeres disparan. La mirada de las grandes fotógrafas en España Carmen Dalmau
An essay by Carmen Dalmau that celebrates the history, presence, and talent of women photographers in Spain. The book, part of the FotoRuta collection in its Photo Essay series, features a foreword by Mónica Carabias Álvaro, director of the National Center for Photography. This is Carmen Dalmau’s second book, and its purpose is clear: to […]
2025 FotoRuta
Museum Bhavan Dayanita Singh
In Museum Bhavan, Dayanita Singh creates a new space between publishing and the museum, an experience where books have the same, if not greater, artistic value than prints hanging on a gallery wall. Consisting of nine individual “museums” in book form, Museum Bhavan is a miniature version of Singh’s traveling exhibition of the same name, […]
2017 Steidl
Los tamarindos de La Concha Ricardo Cases
Los tamarindos de La Concha [La Concha’s Tamarinds] is the continuation of photographer Ricardo Cases’s urban exploration, which began in 2018 in the city of Valencia and was published in 2023 under the title El ficus del Parterre [El Parterre’s Ficus]. These brief photographic essays are now joined by those carried out in San Sebastián […]
2024 Dalpine y Kutxa Fundazioa
Artefactos importantes y propiedades personales de la colección de Lenore Doolan y Harold Morris, incluidos libros, ropas y joyas Leanne Shapton
As if Georges Perec teamed up with Sophie Calle, Canadian writer and visual artist Leanne Shapton constructs a book from a couple’s possessions: movie tickets, countless borrowed and annotated books, handwritten messages scribbled on any surface, photographs and travel souvenirs, a dinner menu, a lock of hair, and even that hideous salt shaker shaped like […]
2025 Ediciones Comisura
Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris: Including Books, Street Fashion and Jewelry Leanne Shapton
Lenore Doolan, a food writer for the New York Times, meets Harold Morris, a photographer, at a halloween party in 2002. He is dressed as Harry Houdini. In Leanne Shapton’s marvellously inventive and invented auction catalogue, the 325 lots up for auction are what remain from the relationship between Lenore and Harold (who aren’t real […]
2009 Sarah Crichton Books
Agony in the Garden Lúa Ribeira
Agony in the Garden is a photographic series created by Lúa Ribeira in the surroundings of Madrid, Malaga, Granada and Almeria. Inspired by the potential of contemporary counterculture, the artist has collaborated with young people to produce images that reflect on the alienation and uncertainty of our times, giving rise to a landscape suspended in […]
2022 Dalpine
Izas, Rabizas y Colipoterras. Drama con acompañamiento de cachondeo y dolor de corazón Joan Colom
A work that combines text by Camilo José Cela with photographs by Joan Colom. It portrays street prostitution in Barcelona’s Barrio Chino district with raw realism and lyricism, combining testimonies and chronicles with striking images from the period.
1984 Editorial Lumen
Dolor Exquisito Sophie Calle
In Exquisite Pain, Sophie Calle combines text, photos, and personal archives to create a book that dissects romantic grief with almost clinical precision. Repetition is fundamental to the narrative: for ninety-nine days, the artist rewrites her story, subjects it to changes, and confronts it with other people’s accounts of pain. 288 color pages divided into […]
2026 Comisura
Same same but different. Retratos de familias queer racializadas Anna Fux
This photobook is for anyone who has ever wondered about families. Its creation has been an intentional encounter with queerness, racialization, and migration. At the heart of these questions lies the author’s German-Filipino and queer identity, shaped by growing up in Spain and her close bond with her uncle Nelly. Throughout 160 pages, Fux invites […]
2022 Selfpublished
La caza del lobo congelado [The hunt for the frozen wolf] Ricardo Cases
The owner of a hunting ground in northern Spain recounts that not long ago he hunted a wolf. In better times, the animal would have been stuffed or perhaps thrown straight into the rubbish. Today, this rare and illegal trophy ended up in a freezer. ‘If important people come to hunt, we take it out […]
2009 Fiesta ediciones
Screenwriters and presenters

Nieves Limón

Nieves Limón is Associate Professor of Foundations of Photography and Audiovisual Formats at the Faculty of Communication of the University of Castilla-La Mancha. Her teaching and research have focused on the theory and analysis of the photographic image for more than a decade. She also cultivates a continued interest in documentary audiovisual practices. She was awarded the Extraordinary Doctorate Prize for her PhD thesis, “Photographic Self-Representation Strategies. The Case of Frida Kahlo” (2014), and has published extensively in the field of photography. Her publications, which stem from her work and research stays in various national and international institutions (including the National Institute of Anthropology and History in Mexico, Sorbonne Université in Paris, Glasgow Caledonian University, Università degli Studi Roma Tre and Charles University in Prague), can be consulted via her ORCID profile. She has also sought to build bridges between academic knowledge and its transfer to broader social contexts, taking part in projects such as “Género y figura. Reivindicando a las mujeres fotógrafas”, contributing to photobook outreach (“Mirar de cerca. El fotolibro”, Museo Nacional Centro de Arte Reina Sofía) and working on archive research or exhibition curating (Casa Azul–Frida Kahlo Museum, Sala Ricardo Ortega). She is Co-PI of the research group ComPublic (Public Communication: Power, Law and Message) at UCLM.

Marta Martín Núñez

Marta Martín Núñez is Associate Professor of Photography and Narrative at the Faculty of Human Sciences at Universitat Jaume I in Castellón, where she has developed a teaching and research career focused on contemporary Spanish photography, memory and visual narratives through the critical analysis of audiovisual discourse—topics on which she has published widely. She has been a resident at Pervasive Media Studio in Bristol and has undertaken research stays at the Hasselblad Foundation (Gothenburg), Roehampton University (London), the National Library of Spain and the Museo Nacional Centro de Arte Reina Sofía through Universidad Complutense de Madrid, as well as at New York University. She has been principal investigator on several competitive research projects funded through public calls and has led the creation of the Photographic Memory Archive of the Spanish Civil War, a project that recovers, analyses and preserves photographic production published in contemporary photobooks of memory and postmemory. This work has also taken the form of the exhibition Ecos de la memoria. Fotolibros del presente at the Museu de Belles Arts de Castelló in 2023, which travelled to Barcelona in 2024 and to Montpellier in 2025, funded by the Spanish Ministry of the Presidency, Relations with Parliament and Democratic Memory. She is co-editor-in-chief of L’Atalante. Revista de Estudios Cinematográficos and director of LabCom at UJI.

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