The Militancy of Publishers

Starting a business is not for the faint-hearted. And if that business happens to be a photobook publishing house, we might even call it a feat of bravery. In this episode we talk to some of the people behind highly respected imprints and series, to hear first-hand what a photobook editor actually does and what it means to work closely with authors.

Featuring: Juan Valbuena (photographer, founder of the collective NOPHOTO and the publishing house Phree) and Frédérique Bangerter (founder of the publishing house and bookshop Cabeza de Chorlito).

Photos & Books: Stories of a Scopic Drive

The first podcast on photobooks in Spain

Written and hosted by Nieves Limón and Marta Martín
Produced by Fiebre Photobook
Recorded at La República Independiente de la Radio
Actividad subvencionada por @culturagob
Funded by the European Union – NextGenerationEU

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Photobooks cited VISIT THE LIBRARY
Noray Juan Valbuena
Travel book about La Ancha Frontera, a territory that roughly coincides with the Mediterranean Sea.
2012 PHREE
Salitre
The box includes 12+1 books: twelve of them made by each of the inhabitants of the patera house using their photographs, drawings, words, and documents (ID cards, passports, official letters, papers, etc.) to which is added a thirteenth book that contextualizes the project with texts and images that Juan Valbuena created exclusively inside the patera […]
2014 PHREE
Ojos que no ven, corazón que no siente Juan Valbuena
Cinco periódicos sobre la relación entre España y Guinea Ecuatorial. 120 páginas que cuentan 240 años de Historia e historias mediante palabras, voces, rostros, paisajes, objetos, álbumes y archivos.
PHREE
Un lugar de La Mancha Juan Valbuena
Una (re)construcción de la memoria visual de la familia del autor y su relación con el territorio del cual son todos originarios, con la historia de España y la historia de la Fotografía como telones de fondo.
2020 PHREE
Y tú, ¿por qué eres negro? Rubén H. Bermúdez
«The first time someone called me ‘black’ I was at a supermarket with my grandmother. It was another little boy. He actually used the word ‘darkie’. Nobody said anything, neither did I»
2017 Selfpublished
Y tú, ¿Por qué eres negro? Rubén H. Bermúdez
2ª Edición popular de un imaginario particular que acaba convirtiéndose en un álbum colectivo dedicado a todas las personas negras.
PHREE
A la hora, en el lugar Eduardo Nave
A book that compiles those nondescript places that were marked by death in various terrorist attacks perpetrated by ETA from the 1960s to the present day.
2013 PHREE
Punto Ciego Santi Donaire
A project that sheds light on the history of Franco’s repression in Paterna (Valencia) between 1939 and 1956 by closely accompanying the families and forensic teams fighting for dignity that was taken away. The story runs parallel to the complex and beautiful process of location, exhumation, identification, delivery, and burial.
2025 PHREE
Archivo Nómada Alberto García-Alix
We are publishing an unprecedented journey through Alberto García-Alix’s early photographs. The first volume includes 2,154 photographs taken between 1975 and 1981. They show the author’s life and surroundings at a historic moment for Spain, a time of great political, social, and cultural upheaval known as the Transition. The first volume of the collection covers […]
2022 Cabeza de Chorlito
Archivo Nómada Vol. 2 Alberto García-Alix
We are publishing the previously unknown photographic archive of National Photography Prize winner Alberto García-Alix. This new 736-page volume covers the period from 1982 to 1986, featuring nearly 2,500 photographs. The author shows his life, his surroundings, and his daily routine at a historic moment for Spain, marked by great political, social, and cultural upheaval, […]
2024 Cabeza de Chorlito
Muestrario: Pensamiento crítico Frédérique Bangerter
This publication aims to bring critical thinking on social justice closer in a different and interactive way. Through a selection of lectures and interviews, it presents the thinking of multiple thinkers who introduce us to their anti-racist, anti-colonial, feminist, queer, and intersectional perspectives, among other topics. The format of this sample combines print with audiovisual […]
2021 Cabeza de Chorlito
The Pigs Carlos Spottorno
The financial media has coined the term PIGS to refer to the weakest countries in the eurozone: Portugal, Italy, Greece, and Spain. It is a pejorative expression that comes from the Anglo-Saxon corner of the ring. How did Spain, the empire where the sun never set, end up like this? What happened to Italy, home […]
2013 EDITORIAL RM y PHREE
El canto del cisne Flavia Schuster
Dad forgot everything. I forgot about him. I set out to write a book about my mom and dad’s love story only when Dad’s illness was advanced enough for me to understand, or think I understood at that point, that he was fading away. Seeing a loved one fade away, dissolve, is terrifying. It’s a […]
2022 Cabeza de Chorlito
Lumes Adra Pallón
The book tells the story of a world in decline from the inside: rural Galicia today.
2024 PHREE y Photographic Social Vision
COLOR LEHMITZ // ANDERS PETERSEN Anders Petersen
“Damos luz a las imágenes que Anders resaltó y marcó sobre las hojas de contacto de época, con signos, señales y colores. Han perdido aquella primaria intención de resalte y estatus, su lenguaje de Morse, su sentido, pero han ganado el gesto. La huella. La soberbia de la ingenuidad. Su poder. Gráfica y plástica. Café […]
2017 Cabeza de Chorlito
Screenwriters and presenters

Nieves Limón

Nieves Limón is Associate Professor of Foundations of Photography and Audiovisual Formats at the Faculty of Communication of the University of Castilla-La Mancha. Her teaching and research have focused on the theory and analysis of the photographic image for more than a decade. She also cultivates a continued interest in documentary audiovisual practices. She was awarded the Extraordinary Doctorate Prize for her PhD thesis, “Photographic Self-Representation Strategies. The Case of Frida Kahlo” (2014), and has published extensively in the field of photography. Her publications, which stem from her work and research stays in various national and international institutions (including the National Institute of Anthropology and History in Mexico, Sorbonne Université in Paris, Glasgow Caledonian University, Università degli Studi Roma Tre and Charles University in Prague), can be consulted via her ORCID profile. She has also sought to build bridges between academic knowledge and its transfer to broader social contexts, taking part in projects such as “Género y figura. Reivindicando a las mujeres fotógrafas”, contributing to photobook outreach (“Mirar de cerca. El fotolibro”, Museo Nacional Centro de Arte Reina Sofía) and working on archive research or exhibition curating (Casa Azul–Frida Kahlo Museum, Sala Ricardo Ortega). She is Co-PI of the research group ComPublic (Public Communication: Power, Law and Message) at UCLM.

Marta Martín Núñez

Marta Martín Núñez is Associate Professor of Photography and Narrative at the Faculty of Human Sciences at Universitat Jaume I in Castellón, where she has developed a teaching and research career focused on contemporary Spanish photography, memory and visual narratives through the critical analysis of audiovisual discourse—topics on which she has published widely. She has been a resident at Pervasive Media Studio in Bristol and has undertaken research stays at the Hasselblad Foundation (Gothenburg), Roehampton University (London), the National Library of Spain and the Museo Nacional Centro de Arte Reina Sofía through Universidad Complutense de Madrid, as well as at New York University. She has been principal investigator on several competitive research projects funded through public calls and has led the creation of the Photographic Memory Archive of the Spanish Civil War, a project that recovers, analyses and preserves photographic production published in contemporary photobooks of memory and postmemory. This work has also taken the form of the exhibition Ecos de la memoria. Fotolibros del presente at the Museu de Belles Arts de Castelló in 2023, which travelled to Barcelona in 2024 and to Montpellier in 2025, funded by the Spanish Ministry of the Presidency, Relations with Parliament and Democratic Memory. She is co-editor-in-chief of L’Atalante. Revista de Estudios Cinematográficos and director of LabCom at UJI.

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